Covid-20

When an airborne virus infects the entire population on Earth, one secret organization discovers an extraordinary man, whose immune system can help them preserve the human kind.

Barefoot Empress

A 96-year-old woman in a Kerala village pursues her lifelong dream of getting an education. Having never gone to school, she must start at the beginning...first grade.

Se habla de Gabriel

Documentary essay based on portraits of five women, their different ways of living motherhood, challenges and particularities.

Desiderium

A man haunted by his past has to go back through his memories to find an element. But things don't work out as planned.

Tormenta

La Jetée

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Desert Terror

In the North African desert at the height of WWII, an SAS raiding squad led by Lt. David Walker and Sgt. Daniel Thomas capture an Afrika Korps soldier, Cpl. Ulf Steiner, whose unit was taken out by an unseen enemy.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Kid City

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

People Who Make Things

A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls. Restored by the Academy Film Archive in 2016.

Begegnung in Berlin

Short documentary directed by Günter Schlesinger

I'm Still Here

Maggie desperately tries to make radio contact with the outside world amidst the imminent invasion of an unknown threat.

America; I Too

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Omelia Contadina

A farming community gathers on a plateau on the border of three regions for the funeral of traditional agriculture. It’s a film to ward off the disappearance of a millenary culture.

Samuel de Champlain: Québec 1603

Footage of Québec City locations and the artwork of well-known Quebec animator Frédéric Back are used to tell the tale of Champlain’s life in New France – from his first explorations and settlement to his death in 1635.